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Sybren Vanoverberghe – MUSA

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Sybren Vanoverberghe – MUSA

The series MUSA consists of twenty-six works of UV printed photographs on brass. The works are divided into three sizes which measure 150 x 200, 37.5 x 50 and 80 x 100 cm. The photographs for these works have been taken at various greenhouses in Morocco, which harvest Banana Trees. On the images we see abstract impressions of green and yellow leaves pressed against the plastic sheeting of the greenhouses. On top of that we see strips of copper wiring that keep the plastic sheets in position. It is the first series of images in Sybren Vanoverberghe’s work that solely puts the focus on the natural aspect of our surroundings.

The work is a continuation in Vanoverberghe’s research to the material in which he presents his photographs. The visual atmosphere of the works constantly change due to the light that is captured or reflected by the brass material.

Vanoverberghe engages with photography, employing diverse printing techniques, installations, structures, and discovered objects in his artistic practice. His creations capture landscapes and their remnants in a perpetual state of transformation, revealing the intricate interplay between place and time. Through his works, Vanoverberghe explores the convergence of history, nature, and heritage, presenting viewers with a visual dialogue that spans both the historical ruins and commonplace locales.

32 pages, 24 x 30 cm, stapled with dustjacket, Art Paper Editions (Ghent).

$10.30

Original: $34.34

-70%
Sybren Vanoverberghe – MUSA

$34.34

$10.30

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Description

The series MUSA consists of twenty-six works of UV printed photographs on brass. The works are divided into three sizes which measure 150 x 200, 37.5 x 50 and 80 x 100 cm. The photographs for these works have been taken at various greenhouses in Morocco, which harvest Banana Trees. On the images we see abstract impressions of green and yellow leaves pressed against the plastic sheeting of the greenhouses. On top of that we see strips of copper wiring that keep the plastic sheets in position. It is the first series of images in Sybren Vanoverberghe’s work that solely puts the focus on the natural aspect of our surroundings.

The work is a continuation in Vanoverberghe’s research to the material in which he presents his photographs. The visual atmosphere of the works constantly change due to the light that is captured or reflected by the brass material.

Vanoverberghe engages with photography, employing diverse printing techniques, installations, structures, and discovered objects in his artistic practice. His creations capture landscapes and their remnants in a perpetual state of transformation, revealing the intricate interplay between place and time. Through his works, Vanoverberghe explores the convergence of history, nature, and heritage, presenting viewers with a visual dialogue that spans both the historical ruins and commonplace locales.

32 pages, 24 x 30 cm, stapled with dustjacket, Art Paper Editions (Ghent).

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